Arising from Tragedy

I recently attended a panel discussion regarding story-telling that brings about change. The event was sponsored by the Alexia Foundation, which is dedicated to a Syracuse University student photographer who was killed in the Pan Am Flight 103 bombing. The foundation supports up-and-coming photographers and photojournalists who use their work to expose social injustices and to promote societal change.

The event focused on photography and how it can be used to send a message and make a point about a particular issue. During the introduction of the event, it was said that photography can change the world just by starting a simple conversation. It was also said that strong photojournalism creates empathy and serves to bring people together to create a larger, more supportive community.

The panel included internationally acclaimed visual story-tellers Darcy Padilla, Louie Palu, and Tim Matsui. Each of these panelists are professional photographers who have used their photography to spread awareness of various social issues. When asked what is takes to drive change, Palu said that it takes “a deep understanding of the big picture of your photography.” He went on to say that “photographers should use their work as a peaceful tool to start a conversation.” Padilla said that “you have to care about a subject and do your research.” She also said that “change depends on the viewer to be inspired and react to the photo.”

From the event, I not only learned about about story-telling though photography, but about story-telling in general. I learned that in order to tell a believable story, the story-teller should have some kind of personal connection to the subject. I also learned that empathy is very important in a story, as it allows people to connect to the characters and situations. Lastly, I learned that a story should have a universal theme that everyone can identify with and relate to.

This event was was both very informative and inspiring. Having been fairly unfamiliar with photography, I learned a great deal about the art. Photography proves to be a very powerful force in shaping ideas and driving change.

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Crisis in Media — Story Telling

On Thursday November 14th, 2013,  I watched a lecture about “Arising from Tragedy”. On December 21st, 1988 the Pan Am 103 plane was bombed in a terrorist attack and killed thirty five Syracuse University students. Alexia Tseras was a student that was killed in the plane bombing. She was a London photo journalist major, and when she died, her parents created the Alexia Foundation to support photo communication. Out of tragedy, a lot of good has happened. Humans have the ability to arise from tragedy, and through communication we are able to create change and hope amidst disaster. As humans, we all strive to share stories that reflect life. Through photography we can create a bridge beyond vocal language. Peoples’ lives change and political movements can happen because of photos and that’s what the Alexia Foundation is all about– creating movement — creating change.

The three photojournalists and Alexia Foundation winners, Darcy Padilla, Louie Palu, and Tim Matsui,  talked about how photos can bring about change. Louie Palu said that you need to have a deep understanding of the subject and the big picture that you are trying to document. “It’s all about building community and dialogue. When you create dialogue within a community you have a toolbox for change and empowerment”. Darcy Padilla said that you have really care a lot about a subject and do your research. She said, “when it comes to poverty, you have lay the foundation for something to be discovered”. Tim Matsui said that “you use photography to create dialogue about topics you want to create change in, like for me, sexual violence. There is a trend toward story telling instead of photography”.

The next question asked was if the three photojournalists considered themselves advocacy photographers, meaning photographers that take pictures to make something happen. All three photojournalists said that honest and transparency are important but that you have to frame a situation or subject in a certain way in order to create change. They then explained that first hand experiences make the best stories, so if you want to create change you need to put yourself in the subject’s situation and live that story for yourself to truly understand it.

Overall, the presentation was a great one and I really learned a lot about how important photojournalism is in creating change throughout the nation and around the world. It’s amazing to me that photos can create a movement for social, political, and economic change.

 

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Rob Brotherton — Fashion stories

This past Tuesday I went to see Rob Brotherton speak in Newhouse 3. He is the public relations manager at Escada, which is a huge multi-million dollar company. He told his story about his journey to fame in the fashion world.

Rob Brotherton was a dual vocal performance and advertising major and has worked in the fashion industry for over ten years now. He started off in Newhouse and VPA and also completed the fashion and beauty communications milestone. He began his fashion career by working with Adam Lippes who worked with Oscar del la Renta. After that he worked with Zac Posen as an intern and then became the public relations coordinator and then soon after the corporate communications manager. After, he got his job at Escada.

The lecture began with Brotherton talking about what exactly fashion public relations is all about. He said that it is working internally for a fashion label and covering editorial, celebrity, and special events. At the events you meet very important people and Brotherton said that public relations is all about who you know and that you need to get to know the people in charge if you want to be successful.

Brotherton then told us all about how his boss at Zac Posen gave him the opportunity to dress Oprah for the Oscars. He said it was a great experience and that Oprah was actually pretty difficult to satisfy but that he enjoyed the experience because it gave him more opportunities in the future to dress more celebrities.

I learned a lot about the fashion world including the tips that media presence is huge when you are styling celebrities, and that brand campaigns are most effective when a celebrity is advocating for it. I also learned that entertainment is a huge industry and that it takes a village to cultivate fame. The final thing I learned was to sell your soul (in a good way). If you want to make it to the top, you have to be willing to put in the extra hours at work even if you are not required to. This presentation made me extremely excited to begin working in fashion public relations after I graduate from Newhouse.

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Glickman: A Sports Legend

On Wednesday, I had the great opportunity to watch the screening of the HBO Documentary: Glickman, made by James Freedman. I myself, want to be a sportscaster and thus this film was not only good because it was a story of adversity, prejudice, sports and success, but appealed to people like me who want to be in the field itself.

Marty Glickman was born in Brooklyn to Romanian Jews that escaped to avoid further persecution. Marty was a star athlete in high school. He played basketball, football, ran track and did almost everything else in between. When he was eighteen he took part in the 1936 Olympics in Berlin and his life changed forever. He was one of only a few Jews that looked Hitler straight in the eye and lived to tell the story. Unfortunately, this story would haunt Marty until his death because he was unable to take part in the Olympics because of his Jewish background. Instead Jesse Owens and others from the American Track Team took his place. The world would never be able to witness to athletic prowess of Marty Glickman.

Using this event as motivation Glickman became one of the most famous broadcaster in a generation of broadcasters. He would become what others had only hoped to be and set the bar. He came up with the terms swoosh and was able to paint a picture in the minds of viewers and listeners alike of what was going on. He did this by using simple, catchy phrases and exuberant personality. He would retire in 1992 but, would help other famous broadcasters, many from Syracuse University, his alma mater. He went to Syracuse in the 1930’s before Newhouse had set a name for itself.

Marv Albert, Mike Breen and Bob Costas would all take Marty’s place in the world of broadcasting by using some of his language in their presentations, but added their own flair. Marty would also mentor Women as well. Now they too have become premier sports commentators as well.

All In all I learned that the end is truly not the end. Overcoming hardships only leads you to strive for more. This idea lives on in all of us today. Prejudice still exists but has fallen. Marty lives on in all of us and has taught us that we are all humans and can strive to be only what our heart desires. He might have died in 2001, but his language and enthusiasm lives on in sports commentators and people alike.

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“Glickman”

I recently attended a screening of the HBO documentary “Glickman.” Directed and narrated by James Freedman, the film tells the story of Syracuse University alumnus Marty Glickman, a former athlete and  sports broadcaster. Glickman is most well-known as the long-time radio announcer for the New York Knicks, Giants and Jets. As the film clearly shows, Marty Glickman lived an extraordinary life and has greatly influenced the world of sports broadcasting.

Much of Marty Glickman’s story is told through the commentaries of various people from his life, including many broadcasters who he has greatly influenced. These broadcasters include many big names such as Bob Costas, Larry King, and Marv Albert. The impressive line-up of interviewees in the film not only shows that Glickman was a very significant figure in the broadcasting industry, but also a very well-liked person. Although each of the interviewees provided a different perspective on the life of Glickman, they all had one thing in common, a deep respect and admiration for their friend Marty.

With so many note-worthy events and stories to choose from, Freedman was forced to pick only a few key events in Glickman’s life that would best tell his story. One of these was  Glickman’s experience with the 1936 Berlin Olympics. A talented athlete, Glickman made it into the United States track team and was scheduled to race the 4×100 meter relay at the Olympics Games. When the team got to Germany, Glickman was notified that he had been taken out of the race. Glickman, a Jew, knew that the coaches did this to appease Adolf Hitler. Unfortunately, this was only one of the many circumstances in which Glickman dealt with anti-semitism. This incident had a profound impact on Glickman and stayed with him all of his life.

I learned a great deal about storytelling from watching the film and listening to the discussion with the director that followed. During the discussion, Freedman said that the film is not about sports, but is about the success of a man despite having faced many obstacles throughout his life. He referred specifically to the Olympics incident and how Glickman carried that with him for the rest of his life.  The struggles that Glickman faced humanize him, making him more than just a well-known sportscaster. I learned that a story needs to show many different aspects of a character’s life in order to provide a true understanding of that person.

The story of Marty Glickman is truly inspiring. Even though I am not a sports fan and was not previously familiar with Marty Glickman, I was still able to enjoy the documentary. “Glickman” is a film that everyone can embrace.

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Photography Changes the World

Photography Changes the World

Unlike movies, photos are motionless, but sometimes they can be more powerful.

I learned about the Alexia Foundation, met three great photographer, and most importantly, I felt the power of photography.

Alexia Tsairis was one of the victims in the tragic terrorist attack 25 years ago. She was a talented photographer and who knows what she might have achieved if she was not on that plane. When I think about this, I realize how wonderful and fragile a person’s life can be. I should cherish every single day of my life and never waste it. Although she is no longer here, but the moments she captured with her camera will last.

As a photographer, every time you press the shutter, there should be a story to tell. When the three photographers discussing their experience, I could feel the passion and obsession for good pictures and stories. I wish I can be like them.

During the event, there was one picture that I just could not stop thinking of, although it was not relevant to the event.

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I’m a lucky guy. Thanks to my parents, I can study abroad. However, many children in China are still struggling about getting an opportunity to sit in a classroom and learn. This picture is very heart-shaking. As an advocate photo, it is very successful. The girl’s face is so artless and I can see the desire for knowledge from her big beautiful eyes. It is related to the “Hope Project” in China which gives many of these children the chance to learn. This picture has persuaded many people to donate money to the “Hope Project” to build schools, and also many teachers in cities to go to the poor areas to give those children a bright future. Pictures like this can let people think about others and care about others.

Sometimes good films tell good stories, but good photos let people think about good stories. Those stories can reach deep into their heart and bring changes to the world.

 

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Glickman

Marty Glickman was the first jock-turned- broadcaster in the history of our media. He changed the landscape of sports and television. He took his first job as a broadcaster simply because of the pay, and later ended up getting hired in the Marines with a job in telecommunication because of his experience using a microphone. He learned that you could grow with your career in media as a broadcaster, and if you want to do something you can work hard and get it done.

Glickman started broadcasting professional basketball because no one had done it yet. He unknowingly changed the way Americans thought of basketball, simply through the works of radio broadcast. Some say he embedded the game into the brains of America. He invented basketball vernacular such as “swish.” Basketball was not aired on TV at the time, so he allowed radio listeners to imagine the game. He made radio the theater of the mind. He was, “television on the radio.”

A few years later, he started broadcasting the NBA. Advertisements were worked in to the broadcast. Companies, like the hot dog fast food restaurant Nedicks, hired Glickman to broadcast tie-ins. After a good play or shot, Glickman would say it was, “Good like Nedicks.” Hearing it from Glickman made people want to go and get a hot dog from Nedicks. Suddenly he and three other Jewish broadcasters were fired, because the NBA didn’t want to be seen as “too Jewish.” They justified their firing by saying that Glickman was too “New York.” The NBA turned to hire Western types, because that was supposed to be an accurate representation of America. Because Glickman’s broadcasts were only heard in the Greater New York area, people in the Midwest “missed out on hearing the worlds greatest basketball announcer.”

Marty Glickman was “typical New York.” He worked for the NY Giants and the NY Knicks, as well as Yonkers horse-racing for WMGM. While the Giants changed the world of professional football, Glickman was a big part of that. He did a radio play-by-play for the championship games. When he broadcasted, he described the weather and the aura of the game. His vocal inflections were orchestral. Everybody could understand him. When there was a TV blackout for Giants championship game, Marty played a huge role in making the game come to life. This was the football experience for New Yorkers.

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Marty Glickman

Some names last forever.

Marty Glickman is one of them. He was such a special person and the legacy he left for sports, for fans and for human is just inestimable. His life was composed with one great story after another.

The documentary film was fantastic. From the interviewees of this film, we can tell how much impact Mr. Glickman had on the sports media industry. Many of them who are very famous now were actually Marty’s students. It is really hard to make such a documentary film. After the movie, the producer, James Freedman, talked about the process of gathering information and footage. He spent two years searching for footage. Because of his effort, 90% of the footage was actually donated.

Mr. Freedman told us a story about Marty that adequately showed how great Marty was as a sports announcer. There was a time when New York city could not air Giant’s game on TV. Marty was the only source from which people could know what was happening on the court. Marty, as a sports announcer, could perfectly make people visualize the game just by hearing his voice. He was probably the only guy who could manage to do that. During his reporting, the cars on the street would pull over because his voice was full of energy and excitement that drivers could not drive safely.

He invented many words to describe the actions. My favorite term is “swish”, which describes the sound of the basketball falling into the basket without touching the rim. That is also my favorite sound and now I know how to call it.

The most impressive scene of this movie was the story Marty told at the very end. He talked about an experience he had with a Japanese runner. Before the game, as they were digging the starting hole, the Japanese runner, Suzuki, friendly smiled to him. After the game, although Marty beat him, although they could not communicate with language, Suzuki still came over and congratulated him. A few months later, during the wartime, Marty was a first lieutenant in marine and Suzuki was in Kamikaze, one of the scariest troops in history. They were enemies. Suzuki died in a mission. However, Marty cried for his enemy for the relationship they had in no more than five minutes. That is the essence of sports. It brings people together whether they are friends or enemies.

To be honest, I had no idea who was Marty Glickman before seeing the movie. I guess that is the enchantment of documentary film. It gives me the chance to know and admire a man like Marty.

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Shattered Glass

The film Shattered Glass tells the story of former journalist Stephen Glass who was found in 1998 to have fabricated many of his articles written for The New Republic. Honestly I didn’t really like some of the acting in the movie but the story itself was very interesting but appalling.  The article that first exposed the scandal was “Hack Heaven.”  Forbes reporter Adam Penenberg started looking into the story to see how he got it and Forbes didn’t which is when he started finding out that the sources and subjects in the story, even the story itself, apparently had no record of ever existing.  First Stephen claimed he had been duped by his sources but his editor did his own investigation and eventually found out that he had made it all up, including all of his sources and their contact information.  Further investigation exposed that he had fabricated parts or all of many other articles he had written.

The biggest shock to me is that a journalist could get away with so much for so long, especially with all the editing and fact-checking that articles go through before being published.  I definitely don’t think something like this is possible in today’s world with the digital age enabling anyone and everyone to check facts with just a click.  Nevertheless though, it’s a scary story.  Stephen claimed that a lot of it was because of the pressure to produce entertaining and humorous stories.  This makes me wonder if modern journalists, who are of course feeling those same pressures, fudge facts or information sometimes for these same reasons.  Like I said I don’t think it could ever get to that degree, but it’s still worth fact-checking and being cautious of all the time.

Another aspect that amazes me is just his personal choice to do this.  I just don’t understand why someone would want to be a journalist and do all the work to be a reporter when he doesn’t even want to report on the facts.  Also, it just seems like so much more work to make up stories and sources and make sure that they can be verified with fake websites, phone numbers and email addresses.  That’s just so much to keep track of and worry about that the publicity and even fame that might come with it does not seem worth it.  It also makes me mad that he recently wrote a fiction book (he seems to be good at that) about his experiences.  It’s just another way for him to be in the spotlight and make money off of the disgraceful things he did in his career.  Not only did he bring shame to himself and The New Republic but also to the whole profession of journalism which is unfair to all journalists.  Even though it made me mad, I really liked learning about this story because journalists face difficult ethical choices all the time and the pressures in the business are stronger today more than ever.  However, it’s so important to maintain honest reporting and credibility.

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Matt Bennett: The Politics of Guns

Matt Bennett, the Senior Vice President for Public Affairs and the co-founder of Third Way, came to speak at the Maxwell School on November 14, 2013. Bennett has worked in the White House throughout the last decade and is considered an expert on gun laws. He has spoken on 60 Minutes, National Public Radio, Today, Good Morning America, and other programs on virtually every major cable network. He especially worked with the families of the victims of Sandy Hook, both helping them tell their story and advising them on how to make a difference in the months after the tragedy.

After the shooting in Sandy Hook Elementary School in Newtown, Connecticut, eleven of the families went to Washington to become active participants in the gun debate. Bennett spoke with those families, helped them throughout their dive into the gun debate, and taught them about the current regulations in place pertaining to gun control. Before the 1960’s, there were virtually no federal gun regulations in place. Between 1968 and 1993, there were limits placed on who could buy a gun. Background checks were required of those purchasing from a licensed gun dealer. The laws kept more than two million unfit people from buying guns over the next five years. This, however, did not completely keep criminals from being able to buy guns. Many states still have open gun shows where people can buy guns with no questions asked, and guns are available to be bought over the internet. Technically, it is only legal to buy a gun online if it does not cross state lines. The government tried other laws, for example, the Assault Weapons Ban of 1994. These had little effect, however, because guns that were already privately owned were grandfathered in. Also, there are loopholes to get around the laws.

A group called the Sandy Hook promise is working to increase gun control. One of their main concerns is guns with the ability to fire multiple rounds in a short period of time without reloading. Adam Lanza, the shooter from Sandy Hook, fired 154 rounds in 5 minutes. The parents of the victims argue that if he did not have access to a gun with the ability to fire that much, more children could have escaped.  The Sandy Hook Promise realizes that they will probably not be able to tackle the entire issue, but the organization wants to make any difference that they can in order to prevent future tragedies like the one in Newtown.

There is an enormous amount of controversy and passion surrounding the gun debate in America. Conflicting political groups and people on different sides of the argument each have their own viewpoint. Bennett’s career consists largely of talking to people on both sides of the issue. He speaks to people that agree with him, people that disagree, and people that are not really educated on the topic at all. He has mastered the art of framing the issue to get his points across to each of those different groups. He uses different persuasive techniques and tells his stories and the stories of others indifferent ways depending on his audience. This was apparent even when he spoke to us. As people with different opinions asked him questions and argued against his points, he had to frame his opinions differently in order to communicate his logic to them. Storytelling and the idea of framing a story in a certain way is important in politics and the media, especially in relation to controversial topics like the politics of guns.

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